When stitching multiple eyelets, take care not to carry
the working fiber across the back of your fabric in such a way that the
eyelet hole is blocked. If the eyelet hole is not clear, it will “show”
in the finished project. If it seems impossible to move from one eyelet to
another without trailing the working fiber, “tunnel” under the
finished stitch and then begin the next one.
Keeping this in mind, you can start an eyelet with any one
of the individual stitches that make up the eyelet. It is best if you work
in a single direction, clockwise or counterclockwise, as you stitch an
individual eyelet. But every complete eyelet in a project does not have to
be stitched in the same direction as the others. Nor does every eyelet
have to be started in the same place as all the others in that particular
design. One exception is with the “window” or “framed” eyelets. It
is best if these eyelet styles are always started next to one of the “window
panes” or “crosses” in the center of the eyelet.
Important: the outside edges of the eyelet should be
smooth, straight, and without any gaps between the eyelet and the linen
around it.
Pearl Cotton is an excellent choice to use for stitching
eyelets. It is a strong fiber and can withstand the tension needed for
pulled thread work. It also comes in different weights (thickness). In the
US, numbers 3, 5, 8 and 12 are commonly available. Number 12 is the finest
and number 3 is the heaviest in this range.
Eyelets are often used in “whitework“ which is simply
stitching with white fibers on a white linen or canvas. Today, whitework
is also done with colors. Match the fiber and fabric colors as closely as
possible.
If using floss, avoid using less than a single strand for
eyelets that will be heavily pulled. A single strand of floss simply
cannot withstand the tension and easily breaks.